In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality.
This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. So thanks for keeping it fresh in people's minds.This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). I just played it over the phone for a friend, and she agrees. And it sounds so much like a summer thunderstorm: first we have the patter of the rain in the thirty-second notes, then the thunder of the chords. It was almost as if a lesson in piano morphed into a lesson in witchcraft. And what piece was my sister learning to play? Yes. But it was almost like a hurricane, ripping a big branch off the Chinese elm tree in the back yard.
It was quite unexpected, because Grandpa always swore that it never rained on Thursday afternoon between one and four o'clock, when his friends, the Henwoods, went shopping. A few minutes later, a very severe thunderstorm hit. To touch him was to feel him trembling so fast it was like a vibration. But what attracted our attention that day instead was that Paddy, our cocker spaniel, was terribly nervous. Usually, to the extent that our attention wasn't focused on the music, it was on the latest conflict that the teacher, Mrs. It was on an overcast, drizzly afternoon on Thursday, July 14, 1960, and my sister was having her piano lesson. Andhow, I have to share with you a story about this beloved, magical prelude.
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